洛杉矶作业代写:正确的角度

Here we can clearly see the impact of the lack of right angles and straight walls in addition to the dissolution of form that has permitted the artist to translate some of the more outlandish ideas of art nouveau into the bricks and mortar of a civic building. The structure of the building appears as though is constructed of a serious of alcoves reminiscent of the forest in nature. Viewed from this perspective, we can understand the extent to which nature (especially the way in which nature manipulated form and light) impinged upon Gaudi’s extremist interpretation of art nouveau with the exterior of the Casa Mila deploying “the use of curves derived from natural forms.” (Moffett, Fazio and Wodehouse, 2008:434) Thus, we can see how art and architecture were, as far as Antoni Gaudi was concerned, the last refuge of nature; the incredulous forms witnessed in the wild recreated in vivid, contemporary urban architecture.

Looking beyond the exterior of the Casa Mila and within the confines of the building itself, we can see evidence of the architect’s other great passion – the intermeshing of natural metals (particularly iron and copper) with the stone framework of the building. If, for example, we pause to examine the balconies of the apartment buildings housed within the Casa Mila complex (figure 2) we can see how Gaudi used metal as a means of further strengthening the structure’s association with nature.